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By some he was called the father (by a Pimpleian nymph, called Antiope by Cicero) of a total of seven Muses, called Neilṓ ( Νειλώ), Tritṓnē ( Τριτώνη), Asōpṓ ( Ἀσωπώ), Heptápora ( Ἑπτάπορα), Achelōís, Tipoplṓ ( Τιποπλώ), and Rhodía ( Ῥοδία). One of the people frequently associated with the Muses was Pierus. Ī later tradition recognized a set of four Muses: Thelxinoë, Aoide, Archē, and Melete, said to be daughters of Zeus and Plusia or of Ouranos. Īlternatively, later they were called Cephisso, Apollonis, and Borysthenis - names which characterize them as daughters of Apollo. In Delphi too three Muses were worshipped, but with other names: Nete, Mese, and Hypate, which are assigned as the names of the three chords of the ancient musical instrument, the lyre. Together, these three form the complete picture of the preconditions of poetic art in cult practice. The nine Muses on a Roman sarcophagus (second century AD)- Louvre, ParisĪccording to Pausanias, who wrote in the later second century AD, there were originally three Muses, worshipped on Mount Helicon in Boeotia: Aoide ('song' or 'tune'), Melete ('practice' or 'occasion'), and Mneme ('memory'). It was not until Hellenistic times that the following systematic set of functions became associated with them, and even then some variation persisted both in their names and in their attributes: However, the classical understanding of the Muses tripled their triad and established a set of nine goddesses, who embody the arts and inspire creation with their graces through remembered and improvised song and mime, writing, traditional music, and dance. The Quaestiones Convivales of Plutarch (46–120 AD) also report three ancient Muses (9.I4.2–4). They were called Melete or "Practice", Mneme or "Memory" and Aoide or "Song". The Roman scholar Varro (116–27 BC) relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. 600 BC), generally followed by the writers of antiquity, the Nine Muses were the nine daughters of Zeus and Mnemosyne (i.e., "Memory" personified), figuring as personifications of knowledge and the arts, especially poetry, literature, dance and music. ĭiodorus states (Book I.18) that Osiris first recruited the nine Muses, along with the satyrs, while passing through Aethiopia, before embarking on a tour of all Asia and Europe, teaching the arts of cultivation wherever he went.Īccording to Hesiod's account ( c.

Writers similarly disagree also concerning the number of the Muses for some say that there are three, and others that there are nine, but the number nine has prevailed since it rests upon the authority of the most distinguished men, such as Homer and Hesiod and others like them. In the first century BC, Diodorus Siculus cited Homer and Hesiod to the contrary, observing: In Thrace, a tradition of three original Muses persisted. Some ancient authorities regarded the Muses as of Thracian origin. The earliest known records of the Muses come from Boeotia (Boeotian muses). ( l.c.) the genius or powers characteristic of a poet.Apollo and the Muses on Mount Parnassus, c.( sometimes l.c.) the goddess or the power regarded as inspiring a poet, artist, thinker, or the like.any goddess presiding over a particular art.Identified by the Romans with the Camenae. any of a number of sister goddesses, originally given as Aoede (song), Melete (meditation), and Mneme (memory), but latterly and more commonly as the nine daughters of Zeus and Mnemosyne who presided over various arts: Calliope (epic poetry), Clio (history), Erato (lyric poetry), Euterpe (music), Melpomene (tragedy), Polyhymnia (religious music), Terpsichore (dance), Thalia (comedy), and Urania (astronomy).See corresponding entry in Unabridged ponder, contemplate, deliberate. See corresponding entry in Unabridged cogitate, ruminate, think dream. Middle English musen to mutter, gaze meditatively on, be astonished 1300–50.ultimately derivative of Medieval Latin mūsum muzzle